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ann carr-boyd publications

In 2006 Carlisle Print forged a publishing agreement with Ann Carr-Boyd and now offers a number of her works for sale.

Click here to read her biography.

Click here to view photo gallery.

Click here to view a complete list of works and recordings held at the Australian Music Centre.



photo © Nicholaas van der Waarden

Please contact us if you wish to make an enquiry or place an order.

Click the sound icon (
) to hear an audio excerpt of the score.


Solo piano

A DAY IN TARALGA

Full score: $15.00
Piano solo – duration c. 4 minutes: Grade 4
Taralga is a small town near Goulburn and the Southern Tablelands of New South Wales. The nostalgic mood of this piece reflects the pioneering nature of the town. It is tuneful and has a gentle rocking rhythm. The final bars offer scope for some improvisation.



(*3) Click here to view cover.


THE HARP IN THE HIGHLANDS

Full score: $15.00
Piano solo – duration c. 4 minutes: Grade 6
The title refers to an inn in the Southern Highlands of New South Wales, now restored and extended and open as a Bed and Breakfast. The patterns in this piece can be repeated and extended - they swirl and change like the mist which occurs in this part of the countryside
.
Click here to view original hand manuscript.

(*3) Click here to view cover.


NORTHBRIDGE BLUES

Full score: $10.00
Piano solo – duration c. 3 minutes: Grade 4

Northbridge was home to the composer’s late friend Dulcie Holland and this piano version of the work is dedicated to her. Originally written for guitar ensemble, the mood is reflective and a little nostalgic.


Click here to view cover (by Nicholaas van der Waarden).


PRELUDE

Full score: $20.00
Piano solo – duration c. 4 minutes: Grade 8 AMEB syllabus

Prelude is a jazz-oriented piece with two contrasting textures. The first focuses on the percussive nature of the piano, using syncopated rhythms and chords; the second texture uses the whole range of the keyboard plus the sustaining pedal and fast semiquaver patterns.

(*2)


WHEN THE WORLD WAS GREEN
Full score: $20.00
Piano solo (with optional voice and/or violin) - duration c. 9 minutes: Grade 6
This suite of 3 movements is taken from incidental music for the play of the same name by Sam Shepard, premiered at the Belvoir Downstairs, a Sydney theatre, in 1998. The opening movement reflects the simplicity suggested by the title. The 2nd movement provides an opportunity for improvisation whilst the 3rd has a boogie bass and jazz-oriented chords
.
When The World Was Green
(*7) Click here to view cover (by Nicholaas van der Waarden).


Slow Jazz









(*7)


Carl’s Motel Music









(*7)


MOONBEAMS KISS THE SEA
Full score: $40.00
Piano solo - duration c. 13 minutes: A. Mus. A - L. Mus. A
This work was commissioned by Ars Musica Australis and premiered by Michael Kieran Harvey. The 3 movements in a Romantic style take their titles from the poem Love's Philosophy by Percy Bysshe Shelley.
Click
here to view cover (by Nicholaas van der Waarden).
Click
here to view original hand manuscript..

The Waves Clasp One Another
(*3)


Moonbeams Kiss The Sea









(*3)


See the Mountains Kiss High Heaven









(*3)



Solo instrument and keyboard (piano, organ or harpsichord)

FABIA’S FANTASY

Full score and horn part: $15.00
Horn in F and piano – duration c. 4 minutes: Grade 4

A piece within a comfortable range for the horn combined with a gently rocking piano accompaniment, affording the performers freedom and a good deal of expressive scope.



FANTASY FOR HARP AND ORGAN

Harp and Organ – duration c. 8 minutes: advanced playing technique
Full score: $50
This arrangement of the composer’s Fantasy for Harp and String Orchestra was premiered by Vanessa Souter (harp) and Amy Johansen (organ) at the Great Hall, Sydney University in 2004.

Click here to view a photograph taken at the premiere performance of this work.
(*6)


ON THE SHORES OF ASWAN

Full score and clarinet part: $27.50
Clarinet in Bb and piano – duration c. 7 minutes: Grade 8
This work provides the performer with an opportunity for much personal interpretation. The driving rhythms culminate in the final bars which call for an improvised cadenza from both players in keeping with the spirit of the piece. The Egyptian flavour combined with jazz overtones mix together in an exotic palette.

(*8) Click here to view cover.


SUITE FOR FLUTE AND HARPSICHORD
Full score and flute part: $45.00
Flute and harpsichord (or piano) – duration c. 14 minutes: A.Mus.A
Prelude is a slightly tongue-in-cheek look at American academic music of the latter part of the 20th century, whilst Badinerie returns to the musical ideas of J.S. Bach, at the same time incorporating some unusual harmonies and quirky patterns for both instruments. American Dream depicts the emotion of a gathering commemorating the life of Martin Luther King. The final Toccata incorporates thematic material from Aaron Copeland’s Fanfare for the Common Man.

Prelude
(*9) Click here to view cover (by Nicholaas van der Waarden).


Badinerie








(*9)


American Dream









(*9)


Toccata









(*9)


BENEATH THE YELLOW MOON
(A suite for violoncello and piano in three movements.)
Full score and cello part: $45.00
Cello and piano – c. 17 minutes: Grade 8 – A.Mus.A.
The whole 3 movements of this piece form a large ternary structure and the cello imitating the didjeridu at various points in the score evokes a distinctly Australian feel. Some opportunities are provided for improvising high harmonics in the cello part during the third movement which suggests images reminiscent of outback mirages.
Beneath the Yellow Moon

(*4)


Billabong









(*4)


Dreamtime Haze









(*4)



Voice and piano

THE BOOMERANG CHOCOLATE CAKE

Full score: $10.00

Soprano and piano (or harpsichord) – c. 4 minutes: Grade 7

A humorous song which is based on the words of a cake recipe. It is a mixture of jazz, Baroque and the performer’s imagination.


BROWN PANSIES
(A song trilogy for mezzo-soprano and piano.)

Full score: $45.00
Mezzo-soprano (or soprano) and piano – c. 16 minutes: Grade 8
Three contrasting movements in various styles ranging from the impressionistic and romantic nature of Brown Pansies, to the spoken improvisation and plainsong-inspired Parchment Rose to the free Country and Western feel of Blues in Green.
Brown Pansies
(*5) Click here to view cover (by Nicholaas van der Waarden).


Parchment Rose

Click here to view original hand manuscript.

Click here to view cover (by Nicholaas van der Waarden).


Blues in Green

Click here to view cover (by Nicholaas van der Waarden).



Instrumental ensemble and orchestral

FANDANGO
Mandolin ensemble – duration c. 5 minutes: advanced playing technique
Full score: $36
Parts: $45/Parts hire: $20

A lively piece requiring precision ensemble playing comprising a main theme, a lyrical middle section and concluding shimmering chords. In many ways, the work has become a popular and easily recognised signature of the composer.

Click here to view original hand manuscript.
Click here to view cover.
(*1)


MUSIC FOR AN IMAGINARY ITALIAN FILM

Mandolin ensemble – duration c. 9 minutes: competent playing technique

This imaginary Italian film showcases the classic ingredients of love, jealously and reconciliation with an enigmatic conclusion.

Full score: $50
Parts: $60/Parts hire: $25

(*1) Click here to view cover.


ROMANCE FOR FLUTE AND ORCHESTRA
Full score: $75.00
Parts: negotiable


Orchestra - duration c. 10 minutes
This essentially Romantic work is peppered with modern harmonic twists. The three sections are based on a chord often used in popular music, which rises by a semitone each time.


Click here to view cover (by Nicholaas van der Waarden).



All audio excerpts have been reproduced with the kind permission of Robert Allworth, producer of Jade compact discs, except for Fantasy for Harp and Organ, which has been reproduced with the kind permission of Greg Simmons.

*1 - Performed by the Sydney Mandolins.
*2 - Performed by Ann Carr-Boyd – piano.
*3 - Performed by John Martin – piano.
*4 - Performed by Susan Blake – cello and John Martin – piano.
*5 - Performed by Corinne Laird – soprano and Ann Carr-Boyd – piano.
*6 - Performed by Vanessa Souter – harp and Amy Johansen – organ.
*7 - Performed by Katrina Carr-Boyd – violin and Ann Carr-Boyd – piano.
*8 - Performed by Deborah de Graaf – clarinet and John Martin – piano.
*9 - Performed by Edgars Kariks – flute and Ann Carr-Boyd – harpsichord.

For other publications by Ann Carr-Boyd click here.

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